Teaching World Languages Remotely, Part 2: Composition

Teaching composition in a world language is always challenging to organize and execute. In my experience, the best lesson series in supporting the development of strong composition skills consists in the following:

  • Students should have limited access to outside resources in composing their work. It’s too tempting, especially now, to use an AI translator.
  • Students should learn to avoid translating in their head from English to the target language. Instead, they should learn to “say what they can say, not what they want to say.”
  • Assessment should provide a clear and understandable measure of the value of the work product and a clear path to remediation for next time.

I started teaching in 1991 (I am now retired). Back then as a French teacher, the method for assessing student compositions involved marking off each clause, identifying each error, and checking whether the clause was comprehensible (to a native speaker accustomed to dealing with foreigners), appropriate (such that it built on the theme coherently; it “fit”) and had good form (no more than 1 error in grammar / conventions). This was abandoned in the later 1990’s for a rubric that was more consistent with other New York State Regents examinations of the time.

I think the only thing I like about the rubric assessment was that it considered the variety of vocabulary used. Otherwise, the rubric did not really satisfy what I wanted in an assessment for composition work and this rubric was far more subjective than I was comfortable with.

Teaching remotely, I wanted an app that met my criteria for supporting composition skills in the target language.

The first challenge was to limit the use of outside references. For this, I coded a sort of algorithmic surveillance AI that I called “proctor”. Proctor consists of a series of JavaScript functions that record when a student has resized a window, pasted text, “left” the page, or restarted the task. These actions are saved and reported to me when I assess the students’ work.

In the remote teaching situation that I enjoy at present, students do their compositions unsupervised for homework. The proctor allows me to curtail student access to other tabs because it announces in red text on the page whenever any of these “suspicious” actions occur. Although students may indeed use their phone separately on the side to confer, I can also check later in our debriefing by asking whether they know the leaning of one phrase or another.

The composition app for world languages allows me to present students a word bank. The word bank can be an antidote to mental translating because students can be taught to weave together meaning from words they have rather than get caught up on words they don’t.

The assessment process in the composition app works as follows. The instructor:

  1. marks off the clauses for evaluation.
  2. highlights each error.
  3. assesses each clause for comprehensibility, appropriateness, and form.
  4. assesses the whole composition for vocabulary “richness” (10% of the score).

This process lends itself well to debriefing because the errors can be studied directly and are readily observed.

A 21st Century Learning Space

The composition app is a 21st century learning space.

Training wheels are temporary assistive devices for young people learning new things. They are a modification to the program that is usually temporary; a scaffolding that brings students upward in the zone of proximal development. The composition app has space for a word bank to support composition from known lexical items.

Guardrails are there to protect us from error, safety features along the road at dangerous points to avoid a pitfall. The composition app includes an algorithmic AI to monitor student activity and discourage assistance that would not be appropriate.

21st century learning spaces lend themselves to debriefing: they are designed such that the anonymous presentation of teacher-selected student work is easily generated for debriefing. The composition app is readily shared with the student and the assessment page is clear and easy to understand. When I debrief these, I paste the student composition into another screen and go over the relevant errors.

21st century learning spaces are a Swiss army knife. Such collections of applications serve many functions from the same core. The composition app saves the composition prompt in a database whose elements can be re-used.

21st century learning spaces are those where the teacher rules the roost and student privacy protection is a high priority. Locus of data control is with the teacher. The teacher can view the composition as it’s being composed and has ownership over the final product.

Teaching World Languages Remotely, Part 1: Rapport Building

Since September, I have had the distinct pleasure of working part-time for a company based in California that offers remote middle and high school credit-bearing courses in world languages. LanguageBird is perfect fit for a retired public school teacher and I am very contented working for them (not a paid promotion).

The pandemic placed we public school teachers in the position of teaching remotely, some for the first time. A lot of that went poorly in some places, but in other places it went pretty well. My work teaching remotely now has given me the chance to re-explore online teaching practice and the kinds of 21st century learning spaces that meet the needs of that situation.

Besides my work for LanguageBird, I also am enjoying teaching a remote French class for the public school district from which I retired last June. This is very different from LanguageBird in many ways and teaching in both contexts has provided a wealth of interesting experiences that I feel are instructive. In this series of posts, I would like to share my experiences and conclusions as well as the apps I am developing to support remote teaching.

In the public school remote teaching context, we had set it up as a daily synchronous class. This was informed by our pandemic experience that asynchronous courses are a bad idea for most adolescents. It is a small class of five, two for French III and three for college French, credited from a local community college who approved my application to work as adjunct for them in a high school. Each school day during period 2, I fire up a Google Meet and students log in. They are supervised by a language teacher (Spanish).

We (administration and I) were concerned that remote teaching made it difficult to maintain the kind of teacher-student rapport that was so necessary for learning. I suggested that I work in-person for a half day at the end of each marking period (ten weeks) to teach a class and meet with students individually so they can present their projects and practice French conversation. (The district is a 45-mile commute for me one-way, so going in-person for one daily class was not practical.)

At LanguageBird, we only teach one-on-one lessons. I find this extremely useful, so from start I modified my public school lesson plans such that I would only teach whole-group for the first 15 minutes and then each student would have an individual “tutorial” with me for the balance of the time. This turned out to be a fantastic idea and I am guessing the students like it too.

During the pandemic in my district, we had two days to launch into teaching by video-conference (Here is a post on my experience teaching during the pandemic). My current students, many of whom were then in my sixth grade social studies class back in 2020, had a mostly negative experience learning online in general. I felt strongly motivated to demonstrate from the start of the school year that this remote learning experience would not be like that. The first upgrade I made to what I was doing in 2020 was to focus on individual lessons over group lessons.

I think of positive rapport as being a trusting sense of mutual goodwill between an instructor and a pupil. Building a positive rapport with students is extremely important. I had the sense that this was possible only to a very limited degree in remote learning. However, I now stand corrected. In remote instruction over video-conferencing, it is necessary to favor one-on-one teaching situations.

Fostering positive rapport extends not to just being present to interact one-on-one. It is also built on online software applications that foster efficient and readily accessible learning interactions for delivery, practice, evaluation, and debriefing.

Next post: teaching composition to world language students remotely.

L’Impressionnisme

L’impressionnisme est un très intéressant sujet. Impressionnisme est intéressant pour le changement dans le monde de l’art.

Pour commencer, l’impressionnisme est un style artistique. Le style inclure le capture d’images fixes pour un. Cette style fait des photos floues aussi. Aussi, la plupart d’entre eux peintures sont peintures de nature ou vraie vie, et c’est possible grâce à les innovations de l’art, permettant le peinture portative. L’impressionnisme est l’opposé de la réalisme, dont je parle ensuite.

Le 2e sujet est le réalisme, un style artistique avant l’impressionnisme, et c’est très différent. Pour un, le réalisme est pour le histoire ou le peinture de les gens dans un pose et toujours. Les peintures sont clair, contrairement à l’impressionnisme. L’art de réalisme ne capture pas le vraie vie ou le nature, mais les gens posant pour le peinture ou le scène d’histoire, toujours avec les gens posant. Cela est dû à le matériel de peintures ne pas être portable.

Comme dit dans les paragraphes avant, il y a beaucoup des différences. Un différence est le sujet de les peintures, un montrant le vraie vie et un autre montrant le histoire ou un gen. Aussi, le concentrer est différent, un floues et un clair. En général, les styles d’artistique sont différents les uns des autres. Avec ces raisons, je préfère l’impressionnisme. Je préfère cette pour le style et le fait que cela n’a pas fait de fausse histoire. L’histoire de l’impressionnisme est très plus intéressant aussi, et des spectacles en rupture avec la tradition.

Dans l’ensemble, les styles de artistiques sont tres différent les uns aux autres. Il y a aussi un changement culturel entre les deux, s’éloigner de le réalisme et aller à l’impressionnisme.